In 1929, with slightly different personnel, Wooding's orchestra made more recordings in Barcelona and Paris for the Parlophone and Pathé labels. Wooding remained in Europe, performing on the Continent, in Russia and England through most of the 1930s.
Wooding's long stays overseas made him virtually unknown at home, but Europeans were among the staunchest jazz fans anywhere, and they loved what the band had to offer. "We found it hard to believe, but the Europeans treated us with as much respect as they did their own symphonic orchestras," he recalled in a 1978 interview. "They loved our music, but they didn’t quite understand it, so I made it a load easier for them by incorporating such melodies as "Du holder Abendstern" from Tannhäuser - syncopated, of course. They called it blasphemy, but they couldn’t get enough of it. That would never have happened back here in the States.
Here they looked on jazz as something that belonged in the gin mills and sporting houses, and if someone had suggested booking a blues singer like Bessie Smith, or even a white girl like Nora Baes, on the same bill as Ernestine Schumann-Heink, it would have been regarded as a joke in the poorest of taste."
Returning home in the late 1930s, when World War II seemed a certainty, Wooding began formal studies of music, attained a degree, and began teaching full-time, counting among his students trumpeter Clifford Brown. He also led and toured with the Southland Spiritual Choir.
In the early 1970s, Sam Wooding formed another big band and took it to Switzerland for a successful concert, but this venture was short-lived.
Samuel David Wooding (Filadelfia, Pensilvania, 17 de junio de 1895 - Nueva York, 18 de agosto de 1983) fue un pianista, compositor, arreglista y director de orquesta de jazz tradicional y swing, norteamericano, que vivió buena parte de su vida artística en Europa.
En 1925 se incorpora junto con su banda a la revista musical "Chocolate Kiddies", con la que se traslada a Europa. Allí realiza numerosas giras y actuaciones con su propia orquesta por Alemania, Francia, España, Bélgica e Italia, grabando varios discos para los sellos Vox y Polydor. Wooding disuelve su banda en 1931 y regresa a Estados Unidos, aunque buena parte de sus músicos permanecen en Europa. Aún mantendrá una banda de jazz durante dos años en Nueva York, aunque a partir de 1935 se aparta de la escena del jazz, para realizar estudios musicales, dirigir un coro religioso y dedicarse a la enseñanza. En los años sesenta, vuelve a realizar actuaciones por Europa e Israel, aunque ya alejado del jazz.
La orquesta de Wooding ha sido considerada como uno de los pilares del desarrollo y extensión internacional de la corriente "mainstream" que desembocó en el swing. En ella, militaron músicos de gran peso en la época, como Tommy Ladnier, Doc Cheatham, Gene Sedric, Freddie Johnson o Pat Patrick.
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