Eddie South

Eddie South (Louisiana, Missouri, November 27, 1904 – April 25, 1962) was an American jazz violinist.
South was a classical violin prodigy who switched to jazz because of limited opportunities for African-American musicians, and started his career playing in vaudeville and jazz orchestras with Freddie Keppard, Jimmy Wade, Charles Elgar, and Erskine Tate in Chicago.

He was influenced by Hungarian folk music and Roma music starting with a visit to Europe in the 1920s, and adapted the music to jazz. In 1927 he started his own group, Eddie South and his Alabamians, named after the Alabam club where they played in Chicago, and, along with pianist and composer Henry Crowder, toured with them in Europe from 1928 to 1930.
On subsequent visits to Europe in the 1930s, he performed and recorded with guitarist Django Reinhardt and violinists Stéphane Grappelli. He also played in the big bands of Earl Hines from 1947 to 1949. and Michel Warlop. He also led bands that included pianist Billy Taylor and bassist Milt Hinton.

A 1951 recording for Chess Records, Eddy [sic] South and his Orchestra, credited Johnny Pate on bass and arrangements and was also the first of a series of Chess recordings on which Pate collaborated with saxophonist Eddie Johnson.

Jabbo Smith

Jabbo Smith, born as Cladys Smith (24 December 1908 – 16 January 1991) was a United States jazz musician, known for his hot virtuoso playing on the trumpet.

Smith was born in Pembroke, Georgia. At the age of 6 he went into the Jenkins Orphanage in Charleston, South Carolina where he learned trumpet and trombone, and by age 10 was touring with the Jenkins Band. At age 16 he left the Orphanage to become a professional musician, at first playing in bands in Philadelphia, Pennsylvania and Atlantic City, New Jersey before making his base in Manhattan, New York City from about 1925 through 1928, where he made the first of his well regarded recordings.
In 1928 he toured with James P. Johnson's Orchestra when their show broke up in Chicago, Illinois, where Smith stayed for a few years. His series of 20 recordings for Brunswick Records in 1929 are his most famous (19 were issued), and Smith was billed as a rival to Louis Armstrong. Unfortunately, most of these records didn't sell well enough for Brunswick to extend his contract.
In March 1935 in Chicago, Smith was featured in a recording session produced by Helen Oakley under the name of Charles LaVere & His Chicagoans, which included a vocal by both Smith and LaVere on LaVere's composition and arrangement of "Boogaboo Blues". It is an early example of inter-racial blues recordings, although far from the first as such had been made at least since c. 1921.

In the 1930s, Smith moved to Milwaukee, Wisconsin which would be his main base for many years, alternating with returns to New York. In Milwaukee he collaborated with saxophonist Bill Johnson. Subsequently, Smith dropped out of the public eye, playing music part time in Milwaukee with a regular job at an automobile hire company.
Jabbo Smith made a comeback starting in the late 1960s. Many young musicians, fans, and record collectors were surprised to learn that the star of those great 1920s recordings was still alive. Smith successfully played with bands and shows in New York, New Orleans, Louisiana, London, and France through the 1970s and into the 1980s.

Concerts in France, Italy, Switzerland and Netherlands with the HOT ANTIC JAZZ BAND. Recorded live: Jabbo Smith, European Concerts w. the Hot Antic Jazz Band