Menuhin began violin instruction at age four under violinist Sigmund Anker; his parents had wanted Louis Persinger to be his teacher, but Persinger refused. He displayed extraordinary talents at an early age. His first solo violin performance was at the age of seven with the San Francisco Symphony in 1923. Persinger then agreed to take Menuhin as a student. When the Menuhins went to Paris, Persinger suggested Yehudi go to his own teacher, Eugène Ysaÿe.
He did have one lesson with Ysaÿe, but did not like his method or the fact that he was very old. Instead, he went to the Romanian composer and violinist George Enescu, after which he made several recordings with his sister Hephzibah. He was also a student of Adolf Busch. In 1929 he played in Berlin, under Bruno Walter's baton, three concerti by Bach, Brahms and Beethoven. In 1932, he recorded Edward Elgar's Violin Concerto in B minor for HMV in London, with the composer himself conducting, and between 1934 and 1936 he made the first integral recording of Johann Sebastian Bach's Sonatas and Partitas for Solo Violin.
Yehudi Menuhin performed for allied soldiers during World War II, and went with the composer Benjamin Britten to perform for inmates of Bergen-Belsen concentration camp, after its liberation in April 1945. He returned to Germany in 1947 to perform with the Berlin Philharmonic Orchestra under the baton of conductor Wilhelm Furtwängler as an act of reconciliation, becoming the first Jewish musician to do so following the Holocaust. He said to critics within the Jewish community that he wanted to rehabilitate Germany's music and spirit. After building early success on richly romantic and tonally opulent performances, he experienced considerable physical and artistic difficulties caused by overwork during the war as well as unfocused and unstructured early training. Careful practice and study combined with meditation and yoga helped him overcome many of these problems. His profound and considered musical interpretations are nearly universally acclaimed. When he finally resumed recording, he was known for practising by deconstructing music phrases one note at a time.
Menuhin continued to perform to an advanced age, becoming known for profound interpretations of an austere quality, as well as for his explorations of music outside the classical realm.
Menuhin credited the German-Jewish philosopher Constantin Brunner with providing him with "a theoretical framework within which I could fit the events and experiences of life" (Conversations with Menuhin: 32–34).
In 1952, Menuhin met and befriended the influential yogi B. K. S. Iyengar before he had come to prominence outside India. Menuhin arranged for Iyengar to teach abroad in London, Switzerland, Paris and elsewhere. This was the first time that many Westerners had been exposed to yoga.
Following his role as a member of the awards jury at the 1955 Queen Elisabeth Music Competition, Menuhin secured a Rockefeller Foundation grant for the financially-strapped Grand Prize winner at the event, Argentine violinist Alberto Lysy. Menuhin made Lysy his first and only personal student, and the two toured extensively throughout the concert halls of Europe. The young protégé later established the International Menuhin Music Academy in Gstaad, in his honor.
Menuhin made several recordings with the German conductor Wilhelm Furtwängler, who had been criticized for conducting in Germany during the Nazi era. Menuhin defended Furtwängler, noting that the conductor had helped a number of Jewish musicians to flee Nazi Germany.
In 1962 he established the Yehudi Menuhin School in Stoke d'Abernon, Surrey. He also established the music program at the Nueva School in Hillsborough, California sometime around then. In 1965 he received an honorary knighthood. In the same year, Australian composer Malcolm Williamson wrote a violin concerto for Menuhin. He performed the concerto many times and recorded it at its premiere at the Bath Festival in 1965.
Menuhin also had a long association with Ravi Shankar, which began with their 1966 album West Meets East. During this time, he commissioned the composer Alan Hovhaness to write a concerto for violin, sitar, and orchestra to be performed by himself and Shankar. The resulting work entitled Shambala (c.1970), with a fully composed violin part and space for improvisation from the sitarist, is the earliest known work for sitar with western symphony orchestra, predating Shankar’s own sitar concertos; unfortunately, Menuhin and Shankar never recorded it. Menuhin also worked with famous jazz violinist Stéphane Grappelli in the 1970s on Jalousie, an album of pop music of the 1930s arranged in chamber style.
In 1983, he and Robert Masters founded the Yehudi Menuhin International Competition for Young Violinists. Now one of the world's leading competition for young violinists, many of its prize winners have gone on to become some of today’s most exciting violinists. Among them are Tasmin Little, Nikolaj Znaider, Ilya Gringolts, Julia Fischer, Daishin Kashimoto and Lara St. John.
In 1991 he was awarded the prestigious Wolf Prize by the Israeli Government. In the Israeli Knesset he gave an acceptance speech in which he criticised Israel's continued occupation of the West Bank with these words,
"This wasteful governing by fear, by contempt for the basic dignities of life, this steady asphyxiation of a dependent people, should be the very last means to be adopted by those who themselves know too well the awful significance, the unforgettable suffering of such an existence. It is unworthy of my great people, the Jews, who have striven to abide by a code of moral rectitude for some 5,000 years, who can create and achieve a society for themselves such as we see around us but can yet deny the sharing of its great qualities and benefits to those dwelling amongst them.
Menuhin's pupils included Nigel Kennedy, Nicola Benedetti, and the violists Paul Coletti and Csaba Erdélyi. Arguably the most famous of Menuhin's violins is the Lord Wilton Guarneri del Gesù, made in 1742.
In the 1980s Menuhin wrote and oversaw the creation of a "Music Guides" series of books; each covered musical instruments, with one on the human voice. Menuhin wrote some, while others were edited by different authors.
Menuhin regularly returned to the San Francisco Bay Area, sometimes performing with the San Francisco Symphony Orchestra. One of the more memorable later performances was of Elgar's Violin Concerto, which Menuhin had recorded with the composer in 1932.
On 22 April 1978 along with Stéphane Grappelli, Yehudi played Pick Yourself Up, taken from the Menuhin & Grappelli Play Berlin, Kern, Porter and Rodgers & Hart album as the interval act at the 23rd Eurovision Song Contest for TF1. The performance came direct from the studios of TF1 and not that of the venue (Palais des Congrès) from where the contest was held.
He also hosted the PBS telecast of the gala opening concert of the San Francisco Symphony from Davies Symphony Hall in September 1980.
During the 1970s, '80s and '90s, he made jazz recordings with Stéphane Grappelli, classical recordings with L. Subramaniam and albums of Eastern music with the great sitarist Ravi Shankar. In 1983 he founded the Yehudi Menuhin International Competition for Young Violinists in Folkestone, Kent.
His recording contract with EMI lasted almost 70 years and is the longest in the history of the music industry. He made his first recording at age 13 in November 1929, and his last in 1999 at age 82. In total he recorded over 300 works for EMI, both as a violinist and as a conductor. In 2009 EMI released a 51-CD retrospective of Menuhin's recording career, titled Yehudi Menuhin: The Great EMI Recordings.
Yehudi Menuhin, también conocido como Lord Menuhin of Stoke d'Abernon, OM, KBE (22 de abril de 1916, Nueva York — 12 de marzo de 1999, Berlín), era un violinista y director de orquesta de origen ruso (con ascendencia judía) y de doble nacionalidad, estadounidense y británica.
Presidió el Consejo internacional de música en la Unesco (de 1969 a 1975) y fue un activo defensor de causas humanitarias.
Su labor pedagógica incluye la creación de una escuela y una fundación por la que han pasado músicos como los violinistas Nigel Kennedy y Csaba Erdelyi, el viola Paul Coletti, el barítono Jorge Chaminé o Henri Demarquette. Además, ideó un programa pedagógico llamado Proyecto M.U.S.E., cuyo fin es la educación en valores a través de las Artes, mejorando el trato entre compañeros, disminuyendo la discriminación y propiciando la tolerancia.
