Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performer before moving to Hollywood, where she had small parts in numerous movies, and more substantial parts in the films Cabin in the Sky and Stormy Weather. Due to the Red Scare and her left-leaning political views, Horne found herself blacklisted and unable to get work in Hollywood.
Returning to her roots as a nightclub performer, Horne took part in the March on Washington in August 1963, and continued to work as a performer, both in nightclubs and on television, while releasing well-received record albums. She announced her retirement in March 1980, but the next year starred in a one-woman show, Lena Horne: The Lady and Her Music, which ran for more than three hundred performances on Broadway and earned her numerous awards and accolades. She continued recording and performing sporadically into the 1990s, disappearing from the public eye in 2000.
Horne was born in the Bedford-Stuyvesant neighborhood of Brooklyn, New York City. Reported to be descended from the John C. Calhoun family, both sides of her family were a mixture of African American, Native American, notably, Blackfoot and European American descent and each belonged to what W. E. B. Du Bois called "The Talented Tenth", the upper stratum of middle-class, well-educated African Americans.
Her father, Edwin "Teddy" Horne (died April 18, 1970 at age 78), a numbers kingpin in the gambling trade, left the family when she was three and moved to an upper-middle-class black community in the Hill District community of Pittsburgh, Pennsylvania. Her mother, Edna Scottron, daughter of inventor Samuel R. Scottron, was an actress with a black theatre troupe and traveled extensively. Scottron's maternal grandmother, Amelie Louise Ashton, was a Senegalese slave. The young Horne was mainly raised by her grandparents, Cora Calhoun and Edwin Horne.
When Horne was five, she was sent to live in Georgia. For several years, she traveled with her mother. From 1927 to 1929 she lived with her uncle, Frank S. Horne, who was the dean of students at Fort Valley Junior Industrial Institute in Fort Valley, Georgia and who would later become an adviser to Franklin Delano Roosevelt. From Fort Valley, southwest of Macon, Horne briefly moved to Atlanta with her mother; they returned to New York when Horne was 12 years old. She then attended Girls High School, an all-girls public high school in Brooklyn which has since become Boys and Girls High School; she dropped out without earning a diploma.
At the age of 18 she moved in with her estranged father in Pittsburgh, staying in the city's Little Harlem for almost five years and learning from native Pittsburghers Billy Strayhorn and Billy Eckstine as well as other Jazz Greats. A series of photographs by legendary African-American and Pittsburgh Courier photographer Teenie Harris are valued rare captures of her youth.
In the fall of 1933, Horne joined the chorus line of the Cotton Club in New York City. In the spring of 1934, she had a featured role in the Cotton Club Parade starring Adelaide Hall who took Lena under her wing. A few years later she joined Noble Sissle's Orchestra, with which she toured and with whom she recorded her first record release, a 78rpm single issued by Decca Records. After she separated from her first husband, Horne toured with bandleader Charlie Barnet in 1940–41, but disliked the travel and left the band to work at the Café Society in New York. She replaced Dinah Shore as the featured vocalist on NBC's popular jazz series The Chamber Music Society of Lower Basin Street. The show's resident maestros, Henry Levine and Paul Laval, recorded with Horne in June 1941 for RCA Victor. Horne left the show after only six months to headline a nightclub revue on the west coast; she was replaced by Linda Keene.
Horne already had two low-budget movies to her credit: a 1938 musical feature called The Duke is Tops (later reissued with Horne's name above the title as The Bronze Venus); and a 1941 two-reel short subject, Boogie Woogie Dream, featuring pianists Pete Johnson and Albert Ammons. Horne's songs from Boogie Woogie Dream were later released individually as soundies. Horne was primarily a nightclub performer during this period, and it was during a 1943 club engagement in Hollywood that talent scouts approached Horne to work in pictures. She chose Metro-Goldwyn-Mayer, and became the first black performer to sign a long-term contract with a major Hollywood studio. November 1944 she was featured in an episode of the popular radio series, Suspense, as a fictional nightclub singer, with a large speaking role along with her singing. In 1945 and 1946 she sang with Billy Eckstine's Orchestra.
She made her debut with MGM in Panama Hattie (1942) and performed the title song of Stormy Weather based loosely on the life of Adelaide Hall, (1943), which she made at 20th Century Fox, on loan from MGM. She appeared in a number of MGM musicals, most notably Cabin in the Sky (also 1943), but was never featured in a leading role because of her race and the fact that films featuring her had to be re-edited for showing in states where theaters could not show films with black performers. As a result, most of Horne's film appearances were stand-alone sequences that had no bearing on the rest of the film, so editing caused no disruption to the storyline; a notable exception was the all-black musical Cabin in the Sky, although one number was cut because it was considered too suggestive by the censors. "Ain't it the Truth" was the song (and scene) cut before the release of the film Cabin in the Sky. It featured Horne singing "Ain't it the Truth", while taking a bubble bath (considered too "risqué" by the film's executives). This scene and song are featured in the film That's Entertainment! III (1994) which also featured commentary from Horne on why the scene was deleted prior to the film's release.
In Ziegfeld Follies (1946) she performed "Love" by Hugh Martin and Ralph Blane. Horne wanted to be considered for the role of Julie LaVerne in MGM's 1951 version of Show Boat (having already played the role when a segment of Show Boat was performed in Till the Clouds Roll By) but lost the part to Ava Gardner, a personal friend in real life, due to the Production Code's ban on interracial relationships in films. In the documentary That's Entertainment! III Horne stated that MGM executives required Gardner to practice her singing using Horne's recordings, which offended both actresses. Ultimately, Gardner's voice was overdubbed by actress Annette Warren (Smith) for the theatrical release, though her voice was heard on the soundtrack album.
By the mid-1950s, Horne was disenchanted with Hollywood and increasingly focused on her nightclub career. She only made two major appearances in MGM films during the decade, 1950's Duchess of Idaho (which was also Eleanor Powell's film swan song), and the 1956 musical Meet Me in Las Vegas. She was blacklisted during the 1950s for her political views. She returned to the screen three more times, playing chanteuse Claire Quintana in the 1969 film Death of a Gunfighter, Glinda in The Wiz (film) (1978), and co-hosting the 1994 MGM retrospective That's Entertainment! III, in which she was candid about her treatment by the studio.
After leaving Hollywood, Horne established herself as one of the premiere nightclub performers of the post-war era. She headlined at clubs and hotels throughout the U.S., Canada, and Europe, including the Sands Hotel in Las Vegas, the Cocoanut Grove in Los Angeles, and the Waldorf-Astoria in New York. In 1957, a live album entitled, Lena Horne at the Waldorf-Astoria, became the biggest selling record by a female artist in the history of the RCA-Victor label. In 1958, Horne was nominated for a Tony Award for "Best Actress in a Musical" (for her part in the "Calypso" musical Jamaica) which, at Lena's request featured her longtime friend Adelaide Hall.
From the late 1950s through the 1960s, Horne was a staple of TV variety shows, appearing multiple times on Perry Como's Kraft Music Hall, The Ed Sullivan Show, The Dean Martin Show, and The Bell Telephone Hour. Other programs she appeared on included The Judy Garland Show, The Hollywood Palace, and The Andy Williams Show. Besides two television specials for the BBC (later syndicated in the U.S.), Horne starred in her own U.S. television special in 1969, Monsanto Night Presents Lena Horne. During this decade, the artist Pete Hawley painted her portrait for RCA Victor, capturing the mood of her performance style.
In 1970, she co-starred with Harry Belafonte in the hour-long Harry & Lena for ABC; in 1973, she co-starred with Tony Bennett in Tony and Lena. Horne and Bennett subsequently toured the U.S. and U.K. in a show together. In the 1976 program America Salutes Richard Rodgers, she sang a lengthy medley of Rodgers songs with Peggy Lee and Vic Damone. Horne also made several appearances on The Flip Wilson Show.
Additionally, Horne played herself on television programs such as The Muppet Show, Sesame Street, and Sanford and Son in the 1970s, as well as a 1985 performance on The Cosby Show and a 1993-appearance on A Different World. In the summer of 1980, Horne, 63 years old and intent on retiring from show business, embarked on a two month series of benefit concerts sponsored by Delta Sigma Theta. These concerts were represented as Horne's farewell tour, yet her retirement lasted less than a year.
On April 13, 1980, Horne, Luciano Pavarotti, and host Gene Kelly were all scheduled to appear at a Gala performance at the Metropolitan Opera House to salute the N Y City Center's Joffrey Ballet Company. However, Pavarotti's plane was diverted over the Atlantic and he was unable to appear. James Nederlander was an invited Honored Guest and noted that only three people at the sold out Metropolitan Opera House asked for their money back. He asked to be introduced to Lena following her performance. In May 1981, The Nederlander Organization, Michael Frazier, and Fred Walker went on to book Horne for a four-week engagement at the newly named Nederlander Theatre (formerly the Trafalgar, the Billy Rose, and the National) on West 41st Street in New York City.
The show was an instant success and was extended to a full year run, garnering Horne a special Tony award, and two Grammy Awards for the cast recording of her show Lena Horne: The Lady and Her Music. The 333-performance Broadway run closed on Horne's 65th birthday, June 30, 1982. Later that same week, the entire show was performed again and videotaped for television broadcast and home video release. The tour began a few days later at Tanglewood (Massachusetts) during the July 4, 1982 weekend. The Lady and Her Music toured 41 cities in the U.S. and Canada through June 17, 1984. It played in London for a month in August and ended its run in Stockholm, Sweden, September 14, 1984.
In 1981, she received a Special Tony Award for her one-woman show, Lena Horne: The Lady and Her Music, which also played to acclaim at the Adelphi Theatre in London in 1984. Despite the show's considerable success (Horne still holds the record for the longest-running solo performance in Broadway history), she did not capitalize on the renewed interest in her career by undertaking many new musical projects. A proposed 1983 joint recording project between Horne and Frank Sinatra (to be produced by Quincy Jones) was ultimately abandoned, and her sole studio recording of the decade was 1988's The Men in My Life, featuring duets with Sammy Davis, Jr. and Joe Williams. In 1989, she received the Grammy Lifetime Achievement Award.
The 1990s found Horne considerably more active in the recording studio - all the more remarkable considering she was approaching her 80th year. Following her 1993 performance at a tribute to the musical legacy of her good friend Billy Strayhorn (Duke Ellington's longtime collaborator), she decided to record an album composed largely of Strayhorn's and Ellington's songs the following year, We'll Be Together Again. To coincide with the release of the album, Horne made what would be her final concert performances at New York's Supper Club and Carnegie Hall. That same year, Horne also lent her vocals to a recording of "Embraceable You" on Sinatra's Duets II album. Though the album was largely derided by critics, the Sinatra-Horne pairing was generally regarded as its highlight. In 1995, a 'live' album capturing her Supper Club performance was released (subsequently winning a Grammy Award for Best Jazz Vocal Album). In 1998, Horne released another studio album, entitled Being Myself. Thereafter, Horne essentially retired from performing and largely retreated from public view, though she did return to the recording studio in 2000 to contribute vocal tracks on Simon Rattle's Classic Ellington album.
Horne was long involved with the Civil Rights movement. In 1941, she sang at Cafe Society and worked with Paul Robeson. During World War II, when entertaining the troops for the USO, she refused to perform "for segregated audiences or for groups in which German POWs were seated in front of African American servicemen", according to her Kennedy Center biography. Because the U.S. Army refused to allow integrated audiences, she wound up putting on a show for a mixed audience of black U.S. soldiers and white German POWs. Seeing the black soldiers had been forced to sit in the back seats, she walked off the stage to the first row where the black troops were seated and performed with the Germans behind her. She was at an NAACP rally with Medgar Evers in Jackson, Mississippi, the weekend before Evers was assassinated. She also met President John F. Kennedy at the White House two days before he was assassinated. She was at the March on Washington and spoke and performed on behalf of the NAACP, SNCC, and the National Council of Negro Women. She also worked with Eleanor Roosevelt to pass anti-lynching laws. She was a member of Delta Sigma Theta sorority.
Tom Lehrer mentions her in his song "National Brotherhood Week" in the line "Lena Horne and Sheriff Clark are dancing cheek to cheek" referring (wryly) to her and to Sheriff Jim Clark, of Selma, Alabama, who was responsible for a violent attack on civil rights marchers in 1965.
Horne married Louis Jordan Jones in January 1937 and lived in Pittsburgh. On December 21, 1937 they had a daughter, Gail (later known as Gail Lumet Buckley, a best-selling author) and a son, Edwin Jones, born on February 7, 1940, and died on September 12, 1970 of kidney disease). Horne and Jones separated in 1940 and divorced in 1944.
Horne's second marriage was to Lennie Hayton, one of the premier musical conductors and arrangers at MGM, in December 1947 in Paris. They separated in the early 1960s, but never divorced; he died in 1971.
In her as-told-to autobiography Lena by Richard Schickel, Horne recounts the enormous pressures she and her husband faced as an interracial couple. She later admitted in an Ebony, May 1980 interview she had married Hayton to advance her career and cross the "color-line" in show business, but had learned to love him in a way.
Screenwriter Jenny Lumet, known for her award-winning screenplay Rachel Getting Married, is Horne's granddaughter, the daughter of filmmaker Sidney Lumet and Horne's daughter Gail. Horne's other grandchildren include Gail's other daughter, Amy Lumet, and her son's three children, Thomas, William, and Lena.
Horne died on Mothers Day, May 9, 2010, in New York City of heart failure. Horne's funeral took place at St. Ignatius Loyola Church on Park Avenue in New York City. Thousands gathered to mourn her, including singers Leontyne Price, Dionne Warwick, Jessye Norman, Chita Rivera and actresses Cicely Tyson, Diahann Carroll, Leslie Uggams, Lauren Bacall, Audra McDonald and Vanessa L. Williams.
Lena Mary Calhoun Horne (Brooklyn, 30 de junio de 1917 - 9 de mayo de 20101 ), más conocida como Lena Horne, fue una legendaria actriz y cantante afroamericana estadounidense de jazz y música popular.
Su carrera, tanto como artista de nightclub como de intérprete de discos para diversas compañías, abarca más de sesenta años, desde los años treinta a los noventa del siglo XX.
Sus padres se separaron cuando tenía dos años y fue criada por sus abuelos. Mitad afroamericana y mitad indio americano, su madre fue la hija del inventor Samuel R. Scottron y es descendiente de John Caldwell Calhoun, y su tío Frank Horne fue asesor del presidente Franklin Delano Roosevelt.
Debutó como corista a los 14 años, pasando a integrar las filas del célebre Cotton Club de Harlem donde actuaban Duke Ellington, Billie Holiday, Louis Armstrong y Ethel Waters que la impactó con la canción Stormy Weather. Se dio a conocer en el mundo del jazz en la segunda mitad de la década de 1930, cantando en diversas big bands, especialmente en la de Noble Sissle (1938), época en la que iniciaria su carrera cinematográfica. En 1941 se incorpora a la banda de Charlie Barnet, consiguiendo un éxito discográfico con el tema "Good for a nothing Joe",2 y después actuaría asiduamente con la banda del pianista Teddy Wilson.
Trabajó en 16 películas y varios cortos entre 1938 y 1978. Su más famosa aparición y canción distintiva fue, casualmente, en Stormy Weather de 19433 y en la película Cabin in the Sky de Vincente Minnelli junto a la ya veterana Ethel Waters y Cab Calloway.
Debió haber encarnado a Julie en Show Boat pero debido a su color el papel fue cedido a su amiga Ava Gardner, quien fue doblada en las canciones.
Su última aparición fue The Wiz como Glenda The Good Witch junto a Michael Jackson y Diana Ross.
Actuó también en Broadway, conquistando una nominación al Tony en 1957 por Jamaica. En 1980 regresó triunfalmente (a los 63 años) en su propio espectáculo Lena Horne: The Lady and Her Music en 1981-1982 producido por Quincy Jones por el que obtuvo un Premio Tony.
Trabajó asiduamente en radio y televisión, en el show de Judy Garland,4 Bing Crosby, Frank Sinatra y The Muppet Show.
Tiene dos estrellas en el Paseo de la Fama de Hollywood, como actriz y como cantante.5
Mereció tres premios Grammy, entre los que está el Lifetime Achievement Award en 1989.
En 1984 fue una de las artistas del año homenajeada en el Kennedy Center de Washington.
Comprometida con la lucha contra la discriminación racial, su primer trabajo en los años 30 fue en el Cotton Club de Harlem, donde podían trabajar los negros, pero no eran admitidos como clientes. En un principio su color de piel claro hizo que la llamaran la "Hedy Lamarr café con leche" o "Chocolate chanteuse", se le prohibió pernoctar en hoteles para blancos hasta 1942. En 1940 fue la primera afroamericana en hacer una gira con una orquesta de jazz blanca.
En 1942 fue la primera afroamericana en obtener un contrato permanente en la Metro Goldwyn Mayer.
En la Segunda Guerra Mundial hizo giras entreteniendo a las tropas aliadas negándose a hacerlo para audiencias segregadas.
Se casó con Louis Jones (1937-1944, con quien tuvo dos hijos, su hija es la escritora Gail Lumet Buckley que se casó con el director Sidney Lumet) y con Lennie Hayton entre 1947 y 1971, pero su boda (llevada a cabo en Francia) fue anunciada mucho después porque él era blanco y el matrimonio interracial sufrió amenazas de muerte.
Residía en el Upper West Side de New York, en el famoso edificio Apthorp.
Su última aparición fue en 1999, sufría de esclerosis múltiple.