sábado, 13 de agosto de 2011

Muggsy Spanier


Francis Joseph Julian "Muggsy" Spanier (November 9, 1906 – February 12, 1967) was a prominent white cornet player based in Chicago. He was renowned as the best trumpet/cornet in Chicago until Bix Beiderbecke entered the scene.
Muggsy led several traditional/"hot" jazz bands, most notably Muggsy Spanier and His Ragtime Band (which did not, in fact, play ragtime but, rather, "hot jazz" that would now be called Dixieland). This band set the style for all later attempts to play traditional jazz with a swing rhythm section. Its key members, apart from Muggsy, were: George Brunies - later Brunis - (trombone and vocals), Rodney Cless (clarinet), George Zack or Joe Bushkin (piano), Ray McKinstry, Nick Ciazza or Bernie Billings (tenor sax), and Bob Casey (bass). A number of competent but unmemorable drummers worked in the band.

The Ragtime Band's theme tune was "Relaxin' at the Touro", named for Touro Infirmary, the New Orleans hospital where Muggsy had been treated for a perforated ulcer early in 1938. He had been at the point of death when he was saved by one Dr. Alton Ochsner who drained the fluid and eased Muggsy's weakened breathing.
"Relaxin' At The Touro" is a fairly straightforward 12-bar blues, with a neat piano introduction and coda by Joe Bushkin. The pianist recalled, many years later: "When I finally joined Muggsy in Chicago (having left Bunny Berigan's failing big band) we met to talk it over at the Three Deuces, where Art Tatum was appearing. Muggsy was now playing opposite Fats Waller at the Sherman hotel and we worked out a kind of stage show for the two bands. Muggsy was a man of great integrity. We played a blues in C and I made up a little intro. After that I was listed as the co-composer of "Relaxin' at the Touro" (quoted by Richard B. Hadlock in the notes to the Bluebird CD 'Muggsy Spanier 1939 - The "Ragtime Band" Sessions', 07863 66550).
In his time, Muggsy made numerous Dixieland recordings that still serve as favorites today. Apart from the famous Ragtime Band, his other most important venture was the traditional band he co-led with pianist Earl Hines at the Club Hangover in San Francisco in the 1950s.
Although Muggsy's real name was Francis Joseph Julian Spanier, he acquired the nickname "Muggsy" either because of his youthful enthusiasm for a baseball hero ("Muggsy" McGraw), or because of his obsession with King Oliver and Louis Armstrong. He was known to have shadowed and "mugged" both of them, copying their styles and incorporating them into his own music. He was allowed, on at least one occasion, to sit in with King Oliver's band (with Louis Armstrong on second cornet) at the Lincoln Gardens, Chicago, in the early 1920s.

He ended his days in the 1960s, leading a traditional jazz band that included old friends like Joe Sullivan (piano), Pops Foster (bass) and Darnell Howard (clarinet). He was not a great technician or virtuoso, but he could lead a traditional ensemble with fire and guts. The (then) young pianist Joe Bushkin was in the Ragtime Band in 1939 and later said of Muggsy: "When he nailed something right, he stayed with it; he wouldn't fix it if it wasn't broke".



Muggsy Spanier fue un cornetista y trompetista norteamericano de jazz tradicional, nacido en Chicago, el 9 de noviembre de 1906, y fallecido en Sausalito (California), el 12 de febrero de 1967.
Siendo adolescente, toca con las bandas de Elmer Schoebel y Charlie Pierce, entre otras de su ciudad natal. Ya con 18 años, en 1924, comienza a grabar discos como líder de su propio grupo, los Bucktown Five. En 1938, se incorpora a la orquesta de Ray Miller, con quien actúa en radios y grabas varios discos. Ted Lewis, un director de orquesta de baile muy famoso en la época, lo contrata durante siete años, hasta 1936. Con la banda de Lewis, graba discos, realiza giras incluso por Europa y participa en un cortometraje.
Entre 1936 y 1938, toca con Ben Pollack y, después, forma su propio grupo, The Ragtime Band, una de las bandas más decisivas en el revival del dixieland de los años 1940. En los años 1950 y comienzos de los 60, vuelve a tocar con Bob Crosby y Ted Lewis, y mantiene en activo su grupo (en ocasiones, con formato de big band), tocando además frecuentemente con el pianista Earl Hines.

Spanier fue, como instrumentista, un aventajado alumno de King Oliver y Louis Armstrong, con un estilo muy negro, especialmente con la sordina, y representante principal del llamado Estilo Chicago.

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