viernes, 12 de agosto de 2011

Papa Celestín


Oscar "Papa" Celestin (January 1, 1884 in Napoleonville, Louisiana – December 15, 1954) was an American jazz bandleader, trumpeter, cornetist and vocalist.
Celestin was born in Napoleonville, Louisiana, to a Creole family, son of a sugar-cane cutter. In his youth worked on rural Louisiana plantations. Eager for a better life, he worked as a cook for the Texas & Pacific Railroad, saved up money and brought used musical instruments. He played guitar and trombone before deciding on cornet as his main instrument. He took music lessons from Claiborne Williams, who traveled down the Bayou Lafourche from Donaldsonville. He played with the Algiers Brass Band by the early 1900s, and with various small town bands before moving to New Orleans in 1904, at age 20.

In New Orleans he played with the Imperial, Indiana, Henry Allen senior's Olympia Brass Bands, and Jack Carey's dance band; early in his career he was sometimes known as "Sonny" Celestin. About 1910 he landed a job as leader of the house band at the Tuxedo Dance Hall on North Franklin St. at the edge of Storyville.He kept the name "Tuxedo" for the name of the band after the Dance Hall closed. Dressing the band in tuxedos, the Tuxedo became one of the most popular bands hired for society functions, both black and white. For years Celestin co-led the Tuxedo Band with trombonist William Ridgely. They made their first recordings with the band during the Okeh Records field trip to New Orleans in 1925. Shortly after Ridgely and Celestin had a falling out and for about 5 years led competing "Tuxedo" bands. Celestin's Original Tuxedo Orchestra made an additional series of recordings for Columbia Records through the rest of the 1920s. In addition to the Tuxedo Orchestra, Celestin led the Tuxedo Brass Band, one of the top brass bands in the city. Such notables through the years were trombonist Bill Mathews, pianist Octave Crosby, drummer Christopher Goldston, cornetist Joe Oliver, trumpeter Mutt Carey, clarinetist Alphonse Picou, bassist Ricard Alexis and trumpeter Louis Armstrong played in the Original Tuxedo Orchestra with Celestin.
In 1932 Celestin was forced out of the business by depression economics, working in a shipyard until he got another band together after the World War II. The new Tuxedo Brass Band proved tremendously popular and was hailed as a key New Orleans tourist attraction. In 1953, Papa Celestin appeared leading his band in the big-budget travelogue Cinerama Holiday. His band became a regular feature at the Paddock Lounge on Bourbon Street in the French Quarter, and made regular radio broadcasts, television appearance, and more recordings. In 1953 Celestin gave a command performance for President Eisenhower at the White House. His last recording singing, "Marie LaVeau" (1954).

In view of the tremendous contribution Celestin made in jazz throughout his lifetime, the Jazz Foundation of New Orleans had a bust made and donated to the Delgado Museum in New Orleans. Near the end of his life, he was honored as one of the greats of New Orleans music, 4000 people marched in his funeral parade when he died in 1954. After his death Tuxedo Brass Band leadership was briefly taken over by trombonest Eddie Pierson until his death in 1958. The leadership of the band fell to banjo player Albert "Papa" French.




Papa Celestín, fue un trompetista y cantante norteamericano de jazz tradicional, nacido en Napoleonville, Luisiana, el 1 de enero de 1884, y fallecido en Nueva Orleans, el 15 de diciembre de 1954.
Inicialmente tocaba también el trombón, y es con este instrumento que comienza en diversas brass bands de Nueva Orleans, a donde se traslada en 1906. Trabaja con la Allen's Brass Band y con la banda de Jack Carey, antes de dirigir su propia banda (Tuxedo Brass Band), para actuar en el Tuxedo Hall, entre 1910 y 1913, año en que se cierra la sala. Después de participar en diversas formaciones, vuelve a organizar su Tuxedo Orchestra (1925), grabando varios discos y obteniendo un éxito inesperado por todo el sur de la Unión.

A partir de 1930 comienza a alejarse de la música en activo, aunque vuelve nuevamente con el revival del jazz tradicional, a partir de 1946, volviendo a grabar discos y reeditando su éxito.
Celestin es una de las figuras más legendarias del jazz de Nueva Orleans, aunque su orquesta producía una música más elegante y refinada de lo usual en las bandas de la época. No obstante, es un buen prototipo de la música creole

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